本帖最後由 kimmi8k 於 2011-11-7 06:20 PM 編輯
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3 m2 K# O, S9 E: Atvb now,tvbnow,bttvbSo, is it fake? I guess not. Or perhaps it is an extremely clever and sophisticated fake. Maybe Kobe is a robot or cylon or something.
9 w# L. k' N; S9 s' \bchew 發表於 2011-11-7 05:12 PM  9 c" C) o& o7 I0 V7 u% A1 Q: o
) q r: V) r7 i7 p% a G' Y v9 ~TVBNOW 含有熱門話題,最新最快電視,軟體,遊戲,電影,動漫及日常生活及興趣交流等資訊。
* Y7 P1 p) `+ M" W! n5 m* ]www1.tvboxnow.comNOPE.., KOBE DID NOT JUMP OVER A CARwww1.tvboxnow.com" e) [, l8 r0 ]
, @( `3 o% N B5 `* aTVBNOW 含有熱門話題,最新最快電視,軟體,遊戲,電影,動漫及日常生活及興趣交流等資訊。Kobe perhaps has the ability to jump over the car, and it is quite possible, but it would be quite dangerous (especially to his basketball career) if he failed.公仔箱論壇$ @' F9 |8 ]0 m% J" o+ K9 s! w
+ V) x" F9 ~ E) lTVBNOW 含有熱門話題,最新最快電視,軟體,遊戲,電影,動漫及日常生活及興趣交流等資訊。Goaded by a teammate, NBA star Kobe Bryant appears to jump clear over a speeding Aston Martin DB9 Volante droptop (MSRP about $180,000). Though circulating the internet as if it were a home video, the piece is actually a carefully choreographed Nike commercial, an attempt to sell the shoemaker's new "Hyperdunk" line of basketball shoes. And the automotive press is unanimous: the stunt was faked.公仔箱論壇9 F E% U1 p" \% O8 Y2 x
( K5 T3 W+ v) R8 \: c+ I公仔箱論壇It sure looks real, but it is not. Byrant described the sequence to the Los Angeles Times as "Hollywood". " If Rambo Part XX" can be a one man militia, I can jump over an Aston Martin," he told the Times.
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( Q0 @0 y) a2 O0 X# }tvb now,tvbnow,bttvbI personally think they created the video by recording Kobe and his jump as Video A and the Aston Martin driving as Video B. Once these 2 were completed, they just layered the two together and that produced the given video. It makes sense because the camera did not move; The perfect way to create this illusion.
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8 n. g# {+ H- {3 P0 P/ Ctvb now,tvbnow,bttvbAnd some said, Kobe jump beside the car, but he did jump over the height of the car to create that effect.
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I hoped it has given some answers, to the Kobe Jump and the Nike Commercial. |